This was a total departure from the normal G&S many of us had been used to. Bob Terry and his team of directors had decided on a pantomime approach to the show - explaining the pantomime cow, dame and incredibly fluorescent costumes.
The action took place in the grounds of Sir Marmaduke's mansion, explaining the chorus of maids and gardeners (including huge pairs of shears used in "Welcome Joy"). Our John Wellington Wells was decidedly evil, and was accompanied by his own band of evil spirits who were disguised as Morris men for the rest of the time. The main effect we used was in the windows of the mansion. Lit from the front they were opaque, lit from behind they were transparent - when the demons appeared. Although this does not sound very hi-tech, it was cutting edge in 1986!! I remember well the hours spent with hairdryers trying to get the plastic sheeting in the window frames taut and wrinkle-free.
As usual February brought it's inclement weather and associated illnesses. Although the cast were bug-free, some plague-like illness attacked the orchestra. The Saturday matinée was unfortunately reduced to Wealands Bell (the musical director) and his keyboard, but the show must go on.
As the "Dame" of this production may I take this chance to apologise to my fellow actors. I behaved outrageously, attempting to upstage anyone and everyone at any opportunity. I think you must blame the directors - they put a six foot postgraduate in a frock, and there's only one way to go.
The University of York Gilbert and Sullivan Society © 2009